​SCULPTURE 

​RUSSIAN ART WEEK

​The "Sculpture" section includes the following competitions:

I. Classical Sculpture Competition
II. Small Plastic Arts Competition
III. Monumental Sculpture Competition
IV. Experimental Sculpture Competition



 GO TO THE "REGISTRATION"SECTION ​Have questions? Ask

​I. Classical Sculpture Competition

​This is a space for those who remain faithful to traditions and work in an academic manner. Plaster, marble, bronze, wood — here, realistic volumes, precise knowledge of plastic anatomy, and impeccable command of material are important.

​Nominations:

  1. ​Sculptural Portrait — conveying the character, inner world, and individual features of the model in three-dimensional execution.
  2. Figure — depiction of the human body in statics or movement, requiring precise knowledge of plastic anatomy and composition.
  3. Animalistic Sculpture — creation of three-dimensional images of animals, conveying their character, grace, and natural plasticity.
  4. Relief — a sculptural image on a plane, from bas-relief to high-relief, where form is born from depth or protrudes into space.
  5. Multi-Figure Composition — construction of a complex scene with several characters united by a common subject and interaction.
  6. Mythological and Historical Composition — images of ancient myths, legends, and significant events of the past, embodied in sculptural plasticity and preserving a connection with the great narratives of human culture.

​II. Small Plastic Arts Competition

​In this competition, intimacy, detail, and elegance are valued. Works created for interior or collecting require particular finesse of execution and the ability to convey expressiveness in a limited scale. Materials: clay, porcelain, wood, glass, metal.

​Nominations:

  1. ​Statuette and Miniature — intimate sculpture for the interior, where form acquires elegance in a small size.
  2. Intimate Portrait — an intimate image of a person, executed in small form with attention to detail and psychologism.
  3. Animalistic Sculpture in Small Plastic Arts — animals in miniature, where natural precision combines with artistic generalization.
  4. Authorial Doll — a character made of wood, textile, porcelain, or polymer materials, carrying image and character.
  5. Art Object in Small Form — an independent work combining decorativeness and conceptuality in a limited scale.
  6. Miniature Composition — a multi-figure or object scene unfolding a story in a small space.

​III. Monumental Sculpture Competition

​Here, scale of thinking and the ability to enter into dialogue with space are evaluated. Large forms for parks, squares, and architectural environments require a special sense of scale, context, and material.

​Nominations:

  1. ​Monument and Memorial — a large form dedicated to a historical figure or event, working with the urban environment and public meaning.
  2. Park Sculpture — harmonious integration of form into the natural landscape, dialogue with vegetation and space.
  3. Decorative Urban Sculpture — decoration of the urban environment, creating points of attraction through plasticity and image.
  4. Architectural-Sculptural Composition — the union of sculpture with architecture, working in the context of a facade, colonnade, or interior.
  5. Sculptural Relief in Space — a large-scale relief image organizing a wall or plane and changing the perception of space.
  6. Memorial Sculpture — an image turned toward memory, containing sorrow, respect, and philosophical reflection on time.

​IV. Experimental Sculpture Competition

​This competition is created for bold authors who are not afraid to go beyond habitual frameworks. Non-standard materials, moving structures, work with light, found objects, and multimedia — here everything becomes an instrument of artistic statement.

​Nominations:

  1. ​Kinetic Sculpture — a moving construction, where movement becomes part of the artistic image and interacts with space.
  2. Installation with Objects — a three-dimensional composition of objects, rethinking space and creating a new reality.
  3. Art Object from Non-Standard Materials — the use of unexpected materials: plastic, scrap metal, fabric, glass, rubber, light.
  4. Sculpture from Glass and Light — work with transparency, refraction, and reflection, where light becomes an equal material.
  5. Multimedia Sculpture — the union of three-dimensional form with technologies: projection, sound, movement, creating a synthetic image.
  6. Assemblage and Object Art — a collage of three-dimensional elements, where real objects become part of an artistic statement.
  7. Textile Sculpture — soft plasticity created from fabric, threads, felt, where the material dictates particular tactility and form.
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​It is important to participate, interesting to watch, and useful to listen. That is how one can describe the atmosphere of the "Russian Art Week" — a place where creativity, education, and communication merge into a single stream of inspiration. 
The "Russian Art Week" is not just a competition. It is a map of the contemporary Russian art world, marking all the main directions: from the familiar painting and graphics to bold digital experiments and monumental forms.

​In addition to the exhibition and competition programs, the "Russian Art Week" offers participants and guests an extensive educational and business program: master classes and lectures, conferences, business meetings, presentation sessions for authors, and a unique format — the "Art Ring", where leading experts engage in live dialogue about trends and the future of art.

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